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-   -   AaronM, JimGunn, Tony404, Markham Step Inside (https://gfy.com/showthread.php?t=890707)

Barefootsies 02-28-2009 12:56 AM

AaronM, JimGunn, Tony404, Markham Step Inside
 
...or other content shooters. :winkwink:

I am looking at new camcorders. My Canon is around 5-6 years old now, and it's time for an upgrade. Still works fine, but gradually bumping up the quality on gear, computes, software, post production, etc..

I prefer DV AVI tape, as that is what I am shooting on now. Just not ready to make the move to disk. I prefer Canon, but will listen to other suggestions.

What are you using? Links helpful.

Fire away.

munki 02-28-2009 12:59 AM

http://www.red.com/

ftw

Loch 02-28-2009 01:04 AM

tapes will be a thing of the past soon enough, if you are switching now go all the way!
by soon enough we are talking the next 12 months....

Barefootsies 02-28-2009 01:23 AM

Quote:

Originally Posted by Loch (Post 15561636)
tapes will be a thing of the past soon enough, if you are switching now go all the way!
by soon enough we are talking the next 12 months....

:Oh crap:Oh crap

Deej 02-28-2009 01:48 AM

Quote:

Originally Posted by munki (Post 15561633)

Great equipment.. price tag fits :thumbsup

Gary_TLX 02-28-2009 01:56 AM

Quote:

Originally Posted by Loch (Post 15561636)
tapes will be a thing of the past soon enough, if you are switching now go all the way!
by soon enough we are talking the next 12 months....

Couldn't agree more, unfortunately. I would say that in 2 years, very few people will use tapes to record on. If you're upgrading now it makes a lot of sense to say bye-bye to tapes altogether.

spunky99 02-28-2009 02:02 AM

i love using my lil hd sony harddrive cam.. i actually work on the videos.. i have stacks of tapes still never touched :/

Nikki_Licks 02-28-2009 07:33 AM

I use a Sony HVR-Z1U ......:thumbsup

http://www.bhphotovideo.com/c/produc...3_CCD_HDV.html

MaDalton 02-28-2009 08:51 AM

Quote:

Originally Posted by munki (Post 15561633)

i'd love to have that one - but no client would probably be willing to pay extra for it. too bad. nevertheless - the quality is absolutely fucking amazing. :thumbsup

NaughtyRob 02-28-2009 09:18 AM

I use the Canon Vixia HV30 HDV (Mini DV's) you said you like Canon, this thing rocks and is affordable. You can shoot both HD and DV.

Barefootsies 02-28-2009 09:37 AM

Quote:

Originally Posted by GetNaughty (Post 15562382)
I use the Canon Vixia HV30 HDV (Mini DV's) you said you like Canon, this thing rocks and is affordable. You can shoot both HD and DV.

:thumbsup

fuzebox 02-28-2009 09:49 AM

Quote:

Originally Posted by GetNaughty (Post 15562382)
I use the Canon Vixia HV30 HDV (Mini DV's) you said you like Canon, this thing rocks and is affordable. You can shoot both HD and DV.

That's what we use too, it really kicks ass and the quality is great for it's size and price. Haven't touched our GL2 in like 8 months.

As for the DV disappearing within 12 months prediction... I think it will take longer than that.

Barefootsies 02-28-2009 09:53 AM

Quote:

Originally Posted by fuzebox (Post 15562449)

As for the DV disappearing within 12 months prediction... I think it will take longer than that.

:thumbsup

Elli 02-28-2009 09:57 AM

I'm really loving my little Canon HV20. It's not true HD, but it sure looks sweet.

AaronM 02-28-2009 10:06 AM

Fuck if I know. Haven't done much research on video cams for awhile. I'd say Tony or Dean might have some good suggestions though.

Barefootsies 02-28-2009 10:14 AM

Quote:

Originally Posted by AaronM (Post 15562493)
Fuck if I know. Haven't done much research on video cams for awhile. I'd say Tony or Dean might have some good suggestions though.

I thought you were da masta.
:Oh crap

AaronM 02-28-2009 10:15 AM

Quote:

Originally Posted by Barefootsies (Post 15562528)
I thought you were da masta.
:Oh crap


Hell no.

Not even close.

tony286 02-28-2009 10:30 AM

Quote:

Originally Posted by munki (Post 15561633)

red for shooting porn for the web is like killing a fly with a shotgun.

Barefootsies 02-28-2009 10:34 AM

Quote:

Originally Posted by tony404 (Post 15562568)
red for shooting porn for the web is like killing a fly with a shotgun.

:1orglaugh:1orglaugh

tony286 02-28-2009 10:35 AM

For your needs and what you are using now. I think the hv30 or 20 would meet your needs and it is true hd. You can get a hv20 way cheap and the the 30 will be dropping because the hv40 is coming out very soon. I would also invest in the canon wide angle adapter.
now if you want to go 3 ccd or cmos, then give me a idea of what you want to spend.

munki 02-28-2009 10:53 AM

Quote:

Originally Posted by tony404 (Post 15562568)
red for shooting porn for the web is like killing a fly with a shotgun.

And what's wrong with that... lol

I'm ok with a "lil" overkill.

fuzebox 02-28-2009 10:54 AM

Quote:

Originally Posted by tony404 (Post 15562588)
I would also invest in the canon wide angle adapter.

You mean something like this?

Is $155 a good price? I'd love to get something like this but I don't really want to spend too much...

Barefootsies 02-28-2009 11:03 AM

Quote:

Originally Posted by fuzebox (Post 15562639)
You mean something like this?

Is $155 a good price? I'd love to get something like this but I don't really want to spend too much...

$155?? Is that low end?

I was thinking $500+. But Tony404 knows better my 'uses' or needs as he eluded to.

I am not looking to go full HD on amateurs. I am thinking somewhere in the middle of me now, and HD. Basically, just getting some better clarify, and definition. I do not need top of the line for my stuff.

NaughtyRob 02-28-2009 11:10 AM

You'll be good with this Canon Vixia HV30 HDV then because you can also shoot in DV. Then if you decide to go HD you can.

Elli 02-28-2009 11:40 AM

I love the wide angle adapter I got for my HV20 for about $150. I also got the hotshoe mic, which helps a bunch. Check out hv20.com for a great community all about the HV20 and HV30. there's a thread on there of people discussing what the "neccessary" optional accessories are for the camera.

Barefootsies 02-28-2009 11:42 AM

Quote:

Originally Posted by GetNaughty (Post 15562712)
You'll be good with this Canon Vixia HV30 HDV then because you can also shoot in DV. Then if you decide to go HD you can.

Sweet!! :thumbsup:thumbsup

Jim_Gunn 02-28-2009 12:32 PM

Honestly, I haven't researched new videocameras in a while. I am still using an almost four year old Sony FX-1 HDV camera and I get great quality out of it by concentrating on my lighting. There are indeed a lot of great options nowadays for videocameras that should suit your needs, from standard definition digital video to high definition video in several flavors like HDV, AVCHD and uncompressed HD, recording to both mini-DV tapes and also tapeless P2 cards. It really depends on the workflow you want to set up. I am pretty satisfied with my solution which records to mini-DV tapes and gives me good quality 16 x 9 video. I am pretty sure I am going to upgrade sometime in the next year and I am considering the tapeless solutions. But it's a major decision because I film so much and I believe tapes are the best long term backups for my archives and also to deliver edited videos to my clients.

More than just upgrading your camera, you would be smart to practice a bit with you lighting setup, improving your locations and set colors and that alone will make your videos look much better than they do now. Any time you want some tips, I would be happy to help you out since you have been so generous sharing your knowledge with me.

tony286 02-28-2009 09:05 PM

Quote:

Originally Posted by Jim_Gunn (Post 15562949)
Honestly, I haven't researched new videocameras in a while. I am still using an almost four year old Sony FX-1 HDV camera and I get great quality out of it by concentrating on my lighting. There are indeed a lot of great options nowadays for videocameras that should suit your needs, from standard definition digital video to high definition video in several flavors like HDV, AVCHD and uncompressed HD, recording to both mini-DV tapes and also tapeless P2 cards. It really depends on the workflow you want to set up. I am pretty satisfied with my solution which records to mini-DV tapes and gives me good quality 16 x 9 video. I am pretty sure I am going to upgrade sometime in the next year and I am considering the tapeless solutions. But it's a major decision because I film so much and I believe tapes are the best long term backups for my archives and also to deliver edited videos to my clients.

More than just upgrading your camera, you would be smart to practice a bit with you lighting setup, improving your locations and set colors and that alone will make your videos look much better than they do now. Any time you want some tips, I would be happy to help you out since you have been so generous sharing your knowledge with me.

I was on a videographer board. And a guy was saying people spend a bunch on their camera and whats left over goes to light. He said should be the other way. If your lighting is good you can get a good picture on any camera.
$155 for wide angle adapter is good, I paid $200 for the same one at a local store. The hv would serve you well and I would get a mic for it also. Sound is 60 percent of the video experience.

Barefootsies 02-28-2009 10:34 PM

Quote:

Originally Posted by tony404 (Post 15564726)
I was on a videographer board. And a guy was saying people spend a bunch on their camera and whats left over goes to light. He said should be the other way. If your lighting is good you can get a good picture on any camera.
$155 for wide angle adapter is good, I paid $200 for the same one at a local store. The hv would serve you well and I would get a mic for it also. Sound is 60 percent of the video experience.

Oh ok. I misunderstood you. $155 for the WIDE ANGLE part.
:thumbsup

CIVMatt 02-28-2009 11:08 PM

Best thing I ever did was skipping tapes and going to a HD hard drive system

tony286 02-28-2009 11:21 PM

Quote:

Originally Posted by CIVMatt (Post 15564967)
Best thing I ever did was skipping tapes and going to a HD hard drive system

I think the flash drives or the compact flash ones would be the way to go. Less chance of failure.imagine shooting a couple of scenes and then the hard drive craps out. That's the one thing I got to say about tape. Been shooting for 8 yrs never had one issue with tape.

burntfilm 02-28-2009 11:27 PM

The Canon EOS 5D Mark II is a sweet smut making tool.
http://www.usa.canon.com/dlc/control...articleID=2326

fuzebox 02-28-2009 11:36 PM

Quote:

Originally Posted by Barefootsies (Post 15564908)
Oh ok. I misunderstood you. $155 for the WIDE ANGLE part.
:thumbsup

Pay attention!

Barefootsies 02-28-2009 11:49 PM

Quote:

Originally Posted by tony404 (Post 15564991)
I think the flash drives or the compact flash ones would be the way to go. Less chance of failure.imagine shooting a couple of scenes and then the hard drive craps out. That's the one thing I got to say about tape. Been shooting for 8 yrs never had one issue with tape.

My thoughts exactly..

JayAllan 03-01-2009 01:28 AM

I have been shooting on the RED ONE. If you are not willing to go that far I recommend the Sony EX-1. It is the best camcorder for the money.

:2 cents:

Jay-Rock 03-01-2009 02:02 AM

I have shot with DV and DVCAM tapes from 1999-2004

I have had a few tapes crap out and had many problems with dropouts and lost pixels due to bad spots on the tape.


Been shooting on a flash memory for 2 years with no problems. No heads to wear out or get dirty and no tapes that can have bad spots
Flash Memory is WAY more dependable than tapes if you ask me.

JustDaveXxx 03-01-2009 02:31 AM

I shoot the canon A1 for HDV and the VX2100 for SD.


The Canon A1 is the best performer in low light out of all the HDV cameras. I edit all of the scenes i shoot and really know the ins and outs of both my cameras.


When i make the move to tapeless i will move into the new Sony. Its pretty sick!! My buddy Craven Moorehead got one 2 months ago and it is the best low light performer ever to come out. It puts all the cameras in the dirt for working in low light situations. I think Jay Rock has the same one. It shoots to Sony flash cards.:thumbsup

Paul Markham 03-01-2009 02:46 AM

Here's a few pointers to think about.

Tape will store more info than disc or chip at the moment. Recording direct to the hard drive is not an option unless you want another lead coming off your camera.

The part of a camera behind the lens can be worth $10,000 but if you shoot through a $100 lens you have a $100 scene. Very often the techies spend a fortune on developing things for an extra effect and ignore the most important thing, the lens.

The better the camera the better the lighting should be. You can ruin everything by not having good lighting and each set up should be different for each setting and models. Great lighting with an average camera will out perform a great camera with average lighting.

Get off camera mikes, two is good. So the illusion is not spoiled every time your touch the camera and leave a click or the sound of you breathing. Position one over the models to capture the over all sound and one rifle mike aimed at her pussy to capture the squelching. ;)

Consider if the style and niche of the scene requires top end cameras, plus your skills as a cameraman, lighting, sound and director warrant top end equipment. Mine don't. Because all good equipment does is show everything more clearly, every good point, great moment, beautiful model is shown in better detail,l resulting in harder cocks.

And every mistake, zit, rash, boil, bruise, poor make up, plain model, poor porn, badly directed scene, models who does not give a shit will also be shown clearly and result in floppy dicks.

If only producing porn was as easy as spending money on a camera and learning how to light and audio. :winkwink:

vidvicious 03-01-2009 08:55 AM

Quote:

Originally Posted by Paul Markham (Post 15565221)
Here's a few pointers to think about.

Tape will store more info than disc or chip at the moment. Recording direct to the hard drive is not an option unless you want another lead coming off your camera.

The part of a camera behind the lens can be worth $10,000 but if you shoot through a $100 lens you have a $100 scene. Very often the techies spend a fortune on developing things for an extra effect and ignore the most important thing, the lens.

The better the camera the better the lighting should be. You can ruin everything by not having good lighting and each set up should be different for each setting and models. Great lighting with an average camera will out perform a great camera with average lighting.

Get off camera mikes, two is good. So the illusion is not spoiled every time your touch the camera and leave a click or the sound of you breathing. Position one over the models to capture the over all sound and one rifle mike aimed at her pussy to capture the squelching. ;)

Consider if the style and niche of the scene requires top end cameras, plus your skills as a cameraman, lighting, sound and director warrant top end equipment. Mine don't. Because all good equipment does is show everything more clearly, every good point, great moment, beautiful model is shown in better detail,l resulting in harder cocks.

And every mistake, zit, rash, boil, bruise, poor make up, plain model, poor porn, badly directed scene, models who does not give a shit will also be shown clearly and result in floppy dicks.

If only producing porn was as easy as spending money on a camera and learning how to light and audio. :winkwink:

?? it isn't 1970 s no more paul .. LOL

Hard drive is a great way to store your digital video. plus creating a great WORKFLOW .. that means in layman terms .. you won't spend the hour stairing blindly at a capture screen, only to find out that your settings are all off, cus youve been using the manifacturers presets .. LOL

NEXT .. WHAT digital camera head are you shooting with that can handle a 100$ lens .. please advise ... and please don't say canon cus a XL H 1 Cus this Can't take a 100 $ lens but is a 10 000 Camera ..

simply put if your in content and your seriously asking this question ? What camera to get" then find another posistion within our great industry . also if you think that digital tape is better then HD, your stuck in the past. The fact is that MiniDv isn't that great of a product, it has been laced wit problems from day one .. too small of a transport, resulting in lots of particles flying around and landing in the most in - appropriate places. Low life drum heads caused by second grade metals to keep prices down .. etc .. Adhesive tape is know not to have a good shelf life, if they couldn't do it with 1 inch what makes you think they can with a 8 mm tape ?

LAstly WORKFLOW. I won't even comment on the difference here.


Lookin at the newest cams out there for under 5000 $ .. Panasonic's P2 is awesome .. Sony's newest EX is grate .. but if you are stuck on canon .. Then the XH is your camera of choice hans down ... Opt for more expensive G1 rather then the A1. You'll thank me for the HD back up later.


All the best .. and please keep the Real Shooting to the Pros .. don't try this at home you just might hurt yourself . LOL

Great weekend all ... Vicious out

vidvicious 03-01-2009 09:01 AM

Quote:

Originally Posted by JustDaveXxx (Post 15565214)
I shoot the canon A1 for HDV and the VX2100 for SD.


The Canon A1 is the best performer in low light out of all the HDV cameras. I edit all of the scenes i shoot and really know the ins and outs of both my cameras.


When i make the move to tapeless i will move into the new Sony. Its pretty sick!! My buddy Craven Moorehead got one 2 months ago and it is the best low light performer ever to come out. It puts all the cameras in the dirt for working in low light situations. I think Jay Rock has the same one. It shoots to Sony flash cards.:thumbsup



Yo Dave long time no see .. can you hit me up this week please amigo ...

BTW I too love the EX from Sony .. Shot 2 Features with it this year . it preforms awesomely
the canon's A1 color rendition is the shitznics ... great little camcorder for under 5000$


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